The Snark Dance

collaborative choreographies of collective memory

This saturday… May 15, 2008

Filed under: magic/divination,Networkin',psychogeography,treasure hunting — danceswithsnarks @ 12:01 am

For all those interested in all things psychogeography…We are bad is holding a zine launch followed by a walk from Kings x to Hackney Wick this Saturday…These people seem pretty delicious…

“SAVAGE MESSIAH ISSUE 9 ZINE LAUNCH
SAVAGE MESSIAH—–CULT JOURNAL OF LONDON PSYCHOGEOGRAPHY…by Laura Oldfield Ford………..
SATURDAY MAY 17TH 5PM-9PM HOUSMANS BOOKSHOP, CALEDONIAN ROAD, KINGS CROSS N1.
………………………>>>>>>>>The WE ARE BAD collective calls on all psychogeographers, miscreants and deviants to join them for a drink at Housmans to mark the launch of Issue 9 ‘HEATHROW-the psychogeography of paranoia’—-Sipson, Three Magpies, Climate camp, treaty centre and more!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!…………………………………..,,,,,,,,followed by a……………………….
NIGHT DRIFT……. KINGS X TO HACKNEY WICK—-LUBETKIN ESTATES, CANALSIDE YUPPIEDROMES, HIDDEN ARCHITECTURES, OBSOLETE O-S NAVIAGTION,
…………………………………
“The Metropolitan Police issued a statement today warning residents of new residential developments in North and East London to be on their guard against a hardline militant group operating under the name ‘Savage Messiah.’ The group who are said to number several hundred in the greater metropolitan area are known for their hostility against middle class homeowners and property developers. Concern is mounting about the growing popularity of this group who police say are composed of activists well known to them who have been involved in serious disorder in the past. The group have made threats against certain gated developments the nature of which cannot be outlined here for legal reasons but police say they are sufficiently serious to urge vigilance and caution. Residents of new build gated developments,(referred to by the group as’yuppiedromes’) should look out for suspicious behaviour in individuals in the vicinity. Suspicious behaviour in this case might include wandering, climbing fences, taking photographs, drawing and drinking/walking in large groups. Parents are being warned to be vigilant and should they find literature relating to the group amongst their youngsters possessions should not hesitate to speak in confidence to the police where the matter will be treated with sensitivity.”
Reuters May 6th 2008

JOHN WILD : Psychogeographer of dataspace will be facilitating a night drift from KINGS X///////
“””””’ Taking De Quincey, Rimbaud and Verlaine as his spiritual guides, John Wild will facilitate a drift from Housman’s Bookshop Kings cross towards Hackney. You are invited to come along, armed with red wine, to drink, walk and drift. The drift is not a guided tour, rather a psychogeographic wander, an invitation to become lost and experience London in a haze of intoxication. As we immerse ourselves in the sensory experience of the drift, location data created by John Wilds mobile phone will be collated and archived. This location data reduces living places to a series of annotated grid references creating a secondary layer of space, a Cartesian grid of dataSPACE, which is overlaid onto the City and is suggestive of rationality, order, logic, Surveillance and control. This data will stand in stark contrast to the blurred recollections of our night of drinking and wandering.
Over the following weeks this data will literally be set in stone as it is converted into a series of metal and concrete plaques that will be placed back at the locations indicated by the data, creating both a physical representation of dataspace and a memorial to the lived experience of the drift. The plaques represent data as a trace of experience in an attempt to reconcile the Cartesian with the phenomenological.””””””””””John Wild
http://www.rupture.co.uk/
! VIVA SAVAGE MESSIAH !
SAVAGE MESSIAH DEMANDS THE ABOLITION OF ALL ZONES!! DESTROY CARTESIAN RHETORIC, SMASH THE VILLE RADIEUSE, SAVAGE MESSIAH IS CALLING FOR A MASS RETURN TO THE LABYRINTH!!!

Chtcheglov said of Le Corbusier, “His cretinizing influence is immense. A Le Corbusier model is the only image that arouses in me the idea of immediate suicide. He is destroying the last remnants of joy. And of love, passion, freedom”

ROBIN BALE -expect tourettes outbursts, incantations and poetic ranting.

BRADFORD BAHAMAS-noise from broken computers, circuit boards, discarded electronic gadgetry in skips…….

First 50 copies of Savage Messiah will be accompanied by a free limited edition film by Majed A “ Kings Cross to Hackney Wick”.

www.savagemessiahzine.com/
www.wearebad.net/
www.myspace.com/bradfordbahamas
johnwild.info

” all from the wearebad blog here.

 

kinetic seance May 11, 2008

Filed under: processing,psychogeography,transportation,treasure hunting — danceswithsnarks @ 11:52 am

The kinetic Seance was a project I did after Futuresonic to expirement with all of the ideas that have been kicking around in my head. It is called the kinetic seance because it wishes to summon the spirits of the dead through movement. In french seance means to sit so there is a nice little juxtaposition at play there.

I decided to set the psychogeography in a graveyard with 10 participants. I brought with me one DV camera, tracing paper, paper, crayons, pencils, watercolors, and roses. I gave each participant a bag with tracing paper and crayons in order to copy any text they found interesting for mapping the cemetery. I thought this was a way to get participants to confront the tombstones. I also porvided them with paper to take notes and a rose (for its symbolic connotations) in order to mark sacred places within the cemetery or to facilitate anything they needed to let go. I had no exact rules for the game. However as each participant returned from getting lost they were told to make notes on the Minutes page. The experiment took place in nuhead cemetery, which is a very enchanting setting and good foot candy as well as eye candy.

Each participant went one at a time with the camera and was led to a random location after being blind folded and made dizzy. They were then told they were free to do what they wanted but had to think about how they wished to feedback to the group afterwards. The original idea was that as more people came back from the walk feedback would increase and cause to the mapping to be a collective reflective process from which I could reflect upon the editing process. But, most of the feedback was pretty silly and time flew by so that two participants were not able to go and two went together in order to get more people to go before we were kicked out. As time constraints grew smaller everyone complained that they were cut too short in their exploration. This to me suggests that the walk should be all day and use multiple cameras so that more than one person can go at a time. Someone also suggested that it would be good to send people out to excavate sound. I have consulted David about this and he has expressed interest in the project.

Also I would like to have a camera myself as trying to find the participants was very disorienting and I often got lost even without being blindfolded. Another thing I was surprised by was how casual everyone was about being in a cemetery. But, then again, it was during the day and I guess I am more superstitious than most. Also I was disheartened by the fact that nobody really started constructing a map with the tools I gave them. When I asked why not, I was told that there wasn’t enough time.

All in all, I think the walk was pretty successful at gaining further interest from all involved. We all agreed that we wanted to continue the project as everyone enjoyed themselves. Furthermore, everyone felt that there needed to be a director and that I should be the whistle blower. Also we wanted to be more disciplined in formulating rules and thought that the project should be continued over the span of a few weekends where participants could come and go throughout the process and more committed participants could develop a rythmic understanding of the space.

Discussion/new projects:

My reason for setting up this project was in order to expirement with getting lost, confronting death, and creating a ritual, game, or narrative collectively. I brought roses as I thought we could play with their symbolism. In the future I would like to think about other symbols or archetypes with which to experiment with constraints and give me clues for editing and creating narrative intersections and intertextuality.

Also documenting sound seperately from the image could help us play with the text of the situation. I am also thinking about how collaborative film making which implements collective rule making might be used in documenting the hunt or actually making the documentation part of the hunt. I have some friends who created the event Shoot London where participants are given question with which they have to answer by creating images to photograph. I have something like this in mind but in using the moving image

All Photos taken of the event, courtesy of moi